Photographed with a Rollei 6008i and 90mm f/4.0 APO Schneider Makro Symmar on Fuji Provia 100. This article looks at just how effective these new inks are in producing higher quality B&W prints. Monochrome inks have recently become available which allow one to produce desktop inkjet prints that are astonishing in their tonality. But for many photographers, particularly those who work in monochrome and who have migrated from traditional "wet" darkrooms, the use of color inks for B&W printing has been less than satisfactory. High quality inkjet printers such as the Photoseries from Epson have revolutionized desktop printing. For the latest on B&W printing with inkjet printers read my review of the Piezographysystem. This article is now quite dated but I’m leaving it up for historical interest. Click hereto read about my new procedure. It is therefore possible, at the real size of a future print, either to print your original image as a negative, the inversion being performed by us using an optional Black and white silver Baryté test print, or by directly printing your image the way you have prepared it for utilization via an alternative procedure, for example.With the advent of the Epson 1270/870 Photo printers and their associated archival inks and papers I have stopped using monochrome inks. Our internegatives comprise a technical border that contains cutting marks and a control range to help you make your contact prints.Īs a complement to the internegative, we offer you an optional test contact print, on “neutral” Baryté paper or “warm tone” Baryté. It is perfectly suited to limited-series prints. It delivers a result that is even more appealing in small and medium format than direct printing on Lambda for silver B&W RC and Baryté silver supports (improved sharp contrast and improved control of the modeling). The print is made by contact based on an internegative obtained via Black and White inkjet printing. The internegative is an intermediary print adapted to digital files that makes it possible to print onto B&W silver photo paper without the intermediate use of an imager. Feel free to perform print tests to find the final rendering that suits you.ĭigital internegative : B&W films for contact printingĪlways based on your digital file, we can print at real size onto an opalescent film support in order to obtain an internegative. ![]() ), the selected paper will also intervene on the final rendering. Important: by its natural color (white, creamy white, warm white. ![]() The tone will be applied to all image values, from low light to high light. More Warm Tone has a slightly redder appearance with warm shadows. Warm Tone has a very slightly red appearance, close to the rendering of a traditional baryta print developed in a "warm tone" revelator. Neutral Tone has a very similar appearance to a traditional baryta print. Cool Tone has a slightly bluish appearance with cold shadows. Indeed during printing, Piezo Pro Carbo inks will be combined for a rendering to the tone of your choice which will also be accompanied in the end by the natural color of the chosen paper: We propose you to choose among the different tonal renderings prepared by Christophe Batifoulier (PICTO) to allow you to go even further in the customization of your print. ![]() Tones: Cool, Neutral, Warm or More Warm - (Original photo: Christophe Batifoulier) The result is a Black and White art print its longevity and wealth of values are superior to the silver photo print. Ilford | Grammage : 310g | Width : 123 cm | Dmax: 2.1 Download ICC profile If you wish to control your dimensions, a solution is to carry out your print always since our service True Black and White by choosing a printing in ink jet Epson or HP with a paper type Baryté. You will then be able to prepare your finishing according to the actual dimensions of the prints you have received. Our tips: When making prints for finishing (collage, framing, etc.), our advice is to wait until you have your prints in your hands. This phenomenon arises from treatment in conventional wet baths (developer, fixer, washing) and the paper’s permeable wood fiber support. Its outstanding features are excellent long-term preservation, handling, and above all, extremely deep, dense black tones.Ī note for experts:Barite paper is a “living” process size differences of up to 2% may be noted on one of the dimensions depending on humidity and the direction the fibers are facing when passed through the machine and during drying. This thick support gives you an extremely smooth surface and a white that is obtained from barium sulfate (or barite). ![]() Peerless quality and superbrendering are the promises made by this Baryté Black & White paper.
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